oleksiy koval

Posts Tagged ‘Composition’

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NATRIUMCHLORID

In COMPOSITIONS on July 6, 2017 at 7:48 am
soja

Oleksiy Koval, Soja, 2016
140 x 130 cm, oil on damask

NATRIUMCHLORID, Oleksiy Koval, 2017

M

1/4
1/4b
1/9
1/25

R

2,3,1
2,2,3,1
1,1,1,2,3
1,2,1,3,1,5

E

a,+ ≈

P

#1 M(1/9) [*2,3,1]
#2 M(1/4b) [*2,2,3,1]
#3 M(1/9) [*2,3,1]
#4 M(1/25) [*1,1,1,2,3]
#5 M(1/9) [*2,3,1]
#6 M(1/4) [*1,2,1,3,1,5]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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CORNWALL INTENSIVE WEEK 3-10 JUNE 2017

In EVENTS | VERANSTALTUNGEN on June 15, 2017 at 6:14 pm

Dear Oleksiy Koval,

Artwork as an Event: Symposium June 3-10 2017
I am writing on behalf of the Contemporary Arts Practice Group to invite you to participate in the Artwork as an Event: Symposium here at the University of Hertfordshire from June 3 – 10 2017. The event is hosted by the Contemporary Art Practice Group of the School of Art and Design.

The aim of the symposium is to bring together a group of artists to discuss and develop the concept of the Artwork as an Event. The project includes practice-led research and develops the idea of “field-work” for artist practitioners and research involving collaborations through which the participating artists share insights into their research and methodologies. It is planned that the outcomes are presented at an international exhibition/public symposium in 2017-2018. The symposium provides an opportunity to initiate debate and make site-based artwork around questions of the ‘event’: what constitutes an artwork as event and is the ‘event’ an act or trace or both? By looking at the artwork as subject to time/site/contexts and (re)arrangements this project will consider how work happens as much in action as it does in the way it is shown and presented. We will initially consider a range of new strategies which would allow new methodologies to emerge while acknowledging the complex and temporary nature of artworks as events. Underlying the aims of the symposium is the opportunity to have time working together in order to individually ‘tailor’ the eventual research project so that it is reflects the nature of each participant’s practice.

Yours sincerely,

Alison Dalwood
Senior Lecturer in Fine Art
School of Art and Design
University of Hertfordshire

02

Oleksiy Koval, RM11, 2017, 90 x 60 cm, ink on foil. Cornwall, Porthleven

03

Oleksiy Koval, Porthleven Harbour Composition, 2017, 70 x 90 cm, ink on foil. Cornwall, Porthleven

skizze

Oleksiy Koval, Porthleven Harbour Composition. Cornwall, Porthleven

ht

Oleksiy Koval, high tide, 2017, 70 x 90 cm, ink on foil. Porthleven, Cornwall

ebb

Oleksiy Koval, untitled ebb, 2017, 70 x 90 cm, ink on foil. Porthleven, Cornwall

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FAKE SUGAR

In COMPOSITIONS on May 20, 2017 at 7:49 am
ss

Oleksiy Koval, fake sugar, 2017
130 x 140 cm, tape, adhesive foil on MDF

Fake Sugar, Oleksiy Koval, 2017

A

1/4
1/9
1/16
1/25
1/36

R

1,5,2,3,8
5,1,5,2,5,3
1,2,3,4,5,6
2,2,3,1
1,1,1,1,1
2,2,2,2,2
3,3,3,3,3
5,5,5,5,5
8,8,8,8,8

E

a,b,c,d,e ≈

P

a(A1/4) [1,5,2,3,8] ∞
b(A1/9) [5,1,5,2,5,3] ∞
c(A1/16) [1,2,3,4,5,6] ∞
d(A1/25) [2,2,3,1] ∞
e(A1/36) [1,1,1,1,1] ∞ or [2,2,2,2,2] ∞ or [3,3,3,3,3] ∞
or [5,5,5,5,5] ∞ or [8,8,8,8,8] ∞

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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SAUER

In COMPOSITIONS on March 29, 2017 at 7:31 pm
ws

Oleksiy Koval, ‘Whiskey Sour’, 2017, 70 x 60 cm, marker, tape, adhesive foil on MDF

Sauer, Oleksiy Koval, 2017

M

1/16 & 1/25b

R

1+1+1+2+3+2+2+3+1+1+2+1+3+1+5
1+1+1+2+3+2+2+3+1+1+2+1+3+1+–
1+1+1+2+–+2+2+–+1+1+2+1+–+1+–
1+1+1+–+–+–+–+–+1+1+–+1+–+1+–

E

a,+ ≈

P

*M1(1/25b) -> *M13(1/16) -> *M2(1/25b) ->
*M10(1/16) -> *M3(1/25b) -> *M7(1/16) ->
*M4(1/25b) -> *M4(1/16) -> *M5(1/25b)
or (and)
*M1(1/25b) -> *M4(1/16) -> *M6(1/25b) ->
*M7(1/16) -> *M11(1/25b) -> *M10(1/16) ->
*M16(1/25b) -> *M13(1/16) -> *M21(1/25b)

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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MUAF

In COMPOSITIONS on February 25, 2017 at 5:39 pm
muaf_fpy

Oleksiy Koval, ‘MUAF’, 2016, marker on FPY, 70 x 60 cm

MUAF, Oleksiy Koval, 2016

M

1/25

E

a,b,c,d,e ≈

P

a [*1,1,1,1,1][*2,2,2,2,2][*3,3,3,3,3][*5,5,5,5,5][*8,8,8,8,8]
b [*1,1,1,2,3] max x 5
c [*2,2,3,1] max x 5
d [*1,2,3,4,5,6] max x 5
e [*1,5,2,3,8] max x 5

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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FILL UP

In COMPOSITIONS on December 16, 2016 at 10:17 am

fillup_w

Oleksiy Koval, fill up, 2015, 29 x 21 cm, tape, watercolor on paper. Photo © Klaus Mauz

FILL UP, Oleksiy Koval, 2015

M

1/25

P

#1 A19 [*1,1,1,2,3,-]
#2 A20 [*2,2,3,1,-]
#3 A24, A25 [*1,2,1,3,1,5,-]
#4 A16, A17, A18, A21, A22, A23 [*2,2,3,2,2,3,-]
#5 A1, A2, A6, A7, A11, A12 [*1,2,3,4,5,6,-]
#6 A3 T4 [*2,2,2]-
#7 A4 T4 [*2,2]-,-,-,-,-,-
#8 A5 T4 [*2,2]-,A5[2]
#9 A8 T4 [*2,2,2]-
#10 A9 T4 [*2,2]-,-,-,-,-,-
#11 A10 T4 [*2,2]-,A10[2]
#12 A13 T4 [*2,2,2]-
#13 A14 T4 [*2,2]-,-,-,-,-,-
#14 A15 T4 [*2,2]-,A15[2]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry

* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

, , , ,

STALKER

In COMPOSITIONS on October 27, 2016 at 6:39 am
stalker_sw

Oleksiy Koval, ‘Stalker’, 2016 75 x 70 cm, marker on FPY

STALKER, Oleksiy Koval, 2012

M

1/9

T

4 *–,–,–,– (1-3)

E

|a,b,c,d,e,f| ≈

P

#1 [a]
#2 [a]
#3 [a]
#4 [a,b] b > 1{4[a]
#5 [a,b] b > 1{4[a]
#6 [a,b,c] b > 1{4[a]; c > 1{3[a,b]
#7 [a,b,c,d] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]
#8 [a,b,c,d,e] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]; e > 1{2[a,b,c,d]
#9 [a,b,c,d,e,f] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]; e > 1{2[a,b,c,d]; f > 1{2[a,b,c,d,e]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

, , , , ,

FLIEGE

In COMPOSITIONS on September 23, 2016 at 6:12 am
fliege

Oleksiy Koval, ‘Fliege’, 2016, 100 x 90 cm, marker on FPY

FLIEGE, Oleksiy Koval, 2016

M

1/9 & 1/16b

E

a,b,c,d,e ≈

a (1,2,3,4,5)
b (1,2,3,4,5 x 2)
c (1,2,3,4,5 x 3)
d (1,2,3,4,5 x 4)
e (1,2,3,4,5 x 5)

P

a M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)
b M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 2
c M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 3
d M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 4
e M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 5

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

, , , , ,

H/V

In COMPOSITIONS on August 15, 2016 at 10:13 am

h2xschwarz

Oleksiy Koval, ‘H(2xSchwarz’, 2015, 140 x 130 cm, ink on cotton. Photo © Klaus Mauz

H/V, Oleksiy Koval, 2015

M

1/4b

E

a, … ≈

#

H or V

P

#1 *1+1+1+1+1
#2 +1+5+2+3+8
#3 +1+2+3+4+5+6
#4 +2+2+2+2+2
#5 +1+5+2+3+-
#6 +1+2+3+4+5+6
#7 +3+3+3+3+3
#8 +1+-+2+3+-
#9 +1+2+3+4+5+6
#10 +4+4+4+4+4
#11 +1+-+2+-+-
#12 +1+2+3+4+5+6
#13 +5+5+5+5+5
#14 +1+-+-+-+-
(#15 +1+2+3+4+5+6)

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry

* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

, , , , ,

PENTADACTYLY (A PERFECT FIFTH)

In COMPOSITIONS on July 13, 2016 at 8:37 am
pentadactyly_d

Oleksiy Koval, ‘Pentadactyly (A Perfect Fifth)’, 2016, 100 x 90 cm, marker, tape on FPY

PENTADACTYLY (A PERFECT FIFTH), Oleksiy Koval, 2016

M

1/49b

R

5+1+1+-+1+5+2+3+3+8
5+2+-+2+1+8
3+1+-+1+8

E

a,b,c,d,e ≈

P

#1 *a5+b1+c1+d-+c1+e5+e2+e3+e3+e8
#2 ->#1*a5+c2+d-+c2+b1+e8
#3 *c3+b1+d-+b1+->#2e8

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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