oleksiy koval

Posts Tagged ‘The Beautiful Formula Language’

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NATRIUMCHLORID

In COMPOSITIONS on July 6, 2017 at 7:48 am
soja

Oleksiy Koval, Soja, 2016
140 x 130 cm, oil on damask

NATRIUMCHLORID, Oleksiy Koval, 2017

M

1/4
1/4b
1/9
1/25

R

2,3,1
2,2,3,1
1,1,1,2,3
1,2,1,3,1,5

E

a,+ ≈

P

#1 M(1/9) [*2,3,1]
#2 M(1/4b) [*2,2,3,1]
#3 M(1/9) [*2,3,1]
#4 M(1/25) [*1,1,1,2,3]
#5 M(1/9) [*2,3,1]
#6 M(1/4) [*1,2,1,3,1,5]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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FAKE SUGAR

In COMPOSITIONS on May 20, 2017 at 7:49 am
ss

Oleksiy Koval, fake sugar, 2017
130 x 140 cm, tape, adhesive foil on MDF

Fake Sugar, Oleksiy Koval, 2017

A

1/4
1/9
1/16
1/25
1/36

R

1,5,2,3,8
5,1,5,2,5,3
1,2,3,4,5,6
2,2,3,1
1,1,1,1,1
2,2,2,2,2
3,3,3,3,3
5,5,5,5,5
8,8,8,8,8

E

a,b,c,d,e ≈

P

a(A1/4) [1,5,2,3,8] ∞
b(A1/9) [5,1,5,2,5,3] ∞
c(A1/16) [1,2,3,4,5,6] ∞
d(A1/25) [2,2,3,1] ∞
e(A1/36) [1,1,1,1,1] ∞ or [2,2,2,2,2] ∞ or [3,3,3,3,3] ∞
or [5,5,5,5,5] ∞ or [8,8,8,8,8] ∞

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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SAUER

In COMPOSITIONS on March 29, 2017 at 7:31 pm
ws

Oleksiy Koval, ‘Whiskey Sour’, 2017, 70 x 60 cm, marker, tape, adhesive foil on MDF

Sauer, Oleksiy Koval, 2017

M

1/16 & 1/25b

R

1+1+1+2+3+2+2+3+1+1+2+1+3+1+5
1+1+1+2+3+2+2+3+1+1+2+1+3+1+–
1+1+1+2+–+2+2+–+1+1+2+1+–+1+–
1+1+1+–+–+–+–+–+1+1+–+1+–+1+–

E

a,+ ≈

P

*M1(1/25b) -> *M13(1/16) -> *M2(1/25b) ->
*M10(1/16) -> *M3(1/25b) -> *M7(1/16) ->
*M4(1/25b) -> *M4(1/16) -> *M5(1/25b)
or (and)
*M1(1/25b) -> *M4(1/16) -> *M6(1/25b) ->
*M7(1/16) -> *M11(1/25b) -> *M10(1/16) ->
*M16(1/25b) -> *M13(1/16) -> *M21(1/25b)

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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MUAF

In COMPOSITIONS on February 25, 2017 at 5:39 pm
muaf_fpy

Oleksiy Koval, ‘MUAF’, 2016, marker on FPY, 70 x 60 cm

MUAF, Oleksiy Koval, 2016

M

1/25

E

a,b,c,d,e ≈

P

a [*1,1,1,1,1][*2,2,2,2,2][*3,3,3,3,3][*5,5,5,5,5][*8,8,8,8,8]
b [*1,1,1,2,3] max x 5
c [*2,2,3,1] max x 5
d [*1,2,3,4,5,6] max x 5
e [*1,5,2,3,8] max x 5

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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FILL UP

In COMPOSITIONS on December 16, 2016 at 10:17 am

fillup_w

Oleksiy Koval, fill up, 2015, 29 x 21 cm, tape, watercolor on paper. Photo © Klaus Mauz

FILL UP, Oleksiy Koval, 2015

M

1/25

P

#1 A19 [*1,1,1,2,3,-]
#2 A20 [*2,2,3,1,-]
#3 A24, A25 [*1,2,1,3,1,5,-]
#4 A16, A17, A18, A21, A22, A23 [*2,2,3,2,2,3,-]
#5 A1, A2, A6, A7, A11, A12 [*1,2,3,4,5,6,-]
#6 A3 T4 [*2,2,2]-
#7 A4 T4 [*2,2]-,-,-,-,-,-
#8 A5 T4 [*2,2]-,A5[2]
#9 A8 T4 [*2,2,2]-
#10 A9 T4 [*2,2]-,-,-,-,-,-
#11 A10 T4 [*2,2]-,A10[2]
#12 A13 T4 [*2,2,2]-
#13 A14 T4 [*2,2]-,-,-,-,-,-
#14 A15 T4 [*2,2]-,A15[2]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry

* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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STALKER

In COMPOSITIONS on October 27, 2016 at 6:39 am
stalker_sw

Oleksiy Koval, ‘Stalker’, 2016 75 x 70 cm, marker on FPY

STALKER, Oleksiy Koval, 2012

M

1/9

T

4 *–,–,–,– (1-3)

E

|a,b,c,d,e,f| ≈

P

#1 [a]
#2 [a]
#3 [a]
#4 [a,b] b > 1{4[a]
#5 [a,b] b > 1{4[a]
#6 [a,b,c] b > 1{4[a]; c > 1{3[a,b]
#7 [a,b,c,d] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]
#8 [a,b,c,d,e] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]; e > 1{2[a,b,c,d]
#9 [a,b,c,d,e,f] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]; e > 1{2[a,b,c,d]; f > 1{2[a,b,c,d,e]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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FLIEGE

In COMPOSITIONS on September 23, 2016 at 6:12 am
fliege

Oleksiy Koval, ‘Fliege’, 2016, 100 x 90 cm, marker on FPY

FLIEGE, Oleksiy Koval, 2016

M

1/9 & 1/16b

E

a,b,c,d,e ≈

a (1,2,3,4,5)
b (1,2,3,4,5 x 2)
c (1,2,3,4,5 x 3)
d (1,2,3,4,5 x 4)
e (1,2,3,4,5 x 5)

P

a M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)
b M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 2
c M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 3
d M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 4
e M13(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5)+-+(*1-5) x 5

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

, , , , ,

H/V

In COMPOSITIONS on August 15, 2016 at 10:13 am

h2xschwarz

Oleksiy Koval, ‘H(2xSchwarz’, 2015, 140 x 130 cm, ink on cotton. Photo © Klaus Mauz

H/V, Oleksiy Koval, 2015

M

1/4b

E

a, … ≈

#

H or V

P

#1 *1+1+1+1+1
#2 +1+5+2+3+8
#3 +1+2+3+4+5+6
#4 +2+2+2+2+2
#5 +1+5+2+3+-
#6 +1+2+3+4+5+6
#7 +3+3+3+3+3
#8 +1+-+2+3+-
#9 +1+2+3+4+5+6
#10 +4+4+4+4+4
#11 +1+-+2+-+-
#12 +1+2+3+4+5+6
#13 +5+5+5+5+5
#14 +1+-+-+-+-
(#15 +1+2+3+4+5+6)

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry

* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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PENTADACTYLY (A PERFECT FIFTH)

In COMPOSITIONS on July 13, 2016 at 8:37 am
pentadactyly_d

Oleksiy Koval, ‘Pentadactyly (A Perfect Fifth)’, 2016, 100 x 90 cm, marker, tape on FPY

PENTADACTYLY (A PERFECT FIFTH), Oleksiy Koval, 2016

M

1/49b

R

5+1+1+-+1+5+2+3+3+8
5+2+-+2+1+8
3+1+-+1+8

E

a,b,c,d,e ≈

P

#1 *a5+b1+c1+d-+c1+e5+e2+e3+e3+e8
#2 ->#1*a5+c2+d-+c2+b1+e8
#3 *c3+b1+d-+b1+->#2e8

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
 
* hits the meter
[] within the same area
#(n) number of entries
∞ number of entries flexible
(n) size of unit
≈ size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
≠ not
V vertical
H horizontal
F flexibel
ⁿ ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

, , , , ,

GNADE

In COMPOSITIONS on April 27, 2016 at 4:11 pm
gnade02

Oleksiy Koval, ‘Gnade’, 2016, 140 x 130 cm, marker on cotton

GNADE, Oleksiy Koval, 2012

M

1/4 , 1/9 , 1/16

T

5 (1-5)

E

a,b,c,d,e,f ≈

P

[*a] #=2 or 3 or 5
[*b] #=2 or 3 or 5
[*c] #=2 or 3 or 5
[*d] #=2 or 3 or 5
[*e] #=2 or 3 or 5
[*f] #=2 or 3 or 5
stop if #=2:3, 2:3, 2:5

Signs and symbols:

M meter
T takt
E element
# entry
P procedure
* hits the meter
(n) size of unit
[] within the same area
≈ size of the unit is corresponding for all elements

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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