Oleksiy Koval, ‘Stalker’, 2016 75 x 70 cm, marker on FPY

STALKER, Oleksiy Koval, 2012




4 *–,–,–,– (1-3)


|a,b,c,d,e,f| ≈


#1 [a]
#2 [a]
#3 [a]
#4 [a,b] b > 1{4[a]
#5 [a,b] b > 1{4[a]
#6 [a,b,c] b > 1{4[a]; c > 1{3[a,b]
#7 [a,b,c,d] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]
#8 [a,b,c,d,e] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]; e > 1{2[a,b,c,d]
#9 [a,b,c,d,e,f] b > 1{4[a]; c > 1{3[a,b]; d > 1{2[a,b,c]; e > 1{2[a,b,c,d]; f > 1{2[a,b,c,d,e]

Signs and symbols:

M meter
A area
U unit
T takt
R rhythmical motive
E element
P procedure
# entry
* hits the meter
[] within the same area
#(n) number of entries
number of entries flexible
(n) size of unit
size of the unit is corresponding for all elements
|| order fixed
> n occupy n
-> go to
{ n out of n possible
+ has to touch
V vertical
H horizontal
F flexibel
ordinal number

On this page I publish the compositions, which have been written using The Beautiful Formula Language. Please, feel free to send me your comment or any kind of question. 
Oleksiy Koval

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